Education:

Watkins College of Art - BFA with a concentration in painting, drawing & printmaking (2012 - 2016)

Selected Solo:

Master Leeroy’s Mansion: Selected Works - Fort Houston (2016)

A History - Channel to Channel (2017)

Our Neighborhood - Steven Zevitas Gallery (2017)

Inferiority Complex - Monya Rowe Gallery (2017)
Kept Inside: His Vices - David Lusk Gallery (2018)

Ashley Doggett Presents: Beyond Breaking - Zevitas Marcus (2020)

Selected Group:

Point of Reference - Kent State University (2015)

Cosmic Traffic Jam - Zevitas Marcus (2016)

Keep it Warm - Zeitgeist Gallery (2016)

Heaven Tonite - Zeitgeist Gallery (2016)

In The Absence of Light: Gesture, Humor and Resistance in the Black Aesthetic - curated by Theaster Gates from the personal collection of Beth Rudin DeWoody -Stony Island Arts Bank (2019)

SIT STILL: SELF-PORTRAITS IN THE AGE OF DISTRACTION - curated by Deborah Brown & Patty Horing - Anna Zorina Gallery (2020)

RepresenTenn - Channel to Channel (2022)

Heed - David Lusk Gallery (2022)

RIVALRY PROJECTS - collective selection / selective collection - curated by CAMILØ ÁLVÅREZ (2023)

Art of the South - curated by Lauren Nye - Stove Works (2024)

In Her Place: Nashville Artists in the Twenty-First Century - curated by Katie Delmez, Sai Clayton & Shaun Giles - Frist Museum of Art (2026)

Selected Art Fairs & Auctions:

Untitled Art Fair: Miami Beach (2019) - Presented with Steven Zevitas Gallery

Artsy (2020) - Presented with Zevitas Marcus 

Rago/LAMA: 21st Century Art (2024) - curated by L.A. Modern Auctions & Artsy 

Selected Juried Competitions:

New American Paintings - South Vol. 136 (2018) - Juried & curated by Steven Zevitas & Katie Pfohl, chosen as the South’s noteworthy juror’s pick (p. 54)

“Doggett’s work smartly alludes to the history of abstract painting while at the same time speaking to current political issues surrounding race and representation. Her work foregrounds real histories - of slavery, of racial inequality, of social disenfranchisement - while also making a powerful argument for abstraction as a political tool.”

Artfields (2022) - Juried & placed as representative for Nashville, Tennessee with my work “January 6th, 2021 (Insurrection)”. This exhibition was held in South Carolina among only 100 artists selected out of thousands of applicants nationwide.

Selected Publications & Press:

Afropunk (2015)

The Grey District (2015)

The Pinch Journal (2015)

The New Engagement (2016)

Nashville Arts Magazine (2016 - 2018)

Nashville Scene (2016, 2017, 2018, 2020)

Grey Room (2016)

Rhizome (2016)
New American Paintings South (2016) Juror’s pick

Art Papers (2017)

The Tennessean (2018)

LA Times (2018) 

ArtNews (2019)

Mutual Art (2020) selected as a prominent work commemorating the passing of George Floyd

LA Modern (2024)

Black Femmescapes: Women & Performance - Taylor & Francis (2025)